My Life, The Movie: An Interview with Patrick Muldoon

By Lizzy Sebuck

Sometimes the staff at Occam’s Taser just gets really, ridiculously lucky (it’s probably because of our dashing good looks). This week we were fortunate enough to speak with Patrick Muldoon, a Chicagoan who works in the film industry. For this interview we picked at Patrick’s noggin about his experiences helping to create some of the most known films of the past ten years. Working as a Locations Manager, Patrick has worked on the sets of major blockbuster films including the masterpiece The Dark Knight. Want to know how Patrick got into the film industry? Would you believe us if we told you paper products and copy machines played a small role? Read on.

Occam’s Taser: So what exactly is your job, Patrick?
Patrick Muldoon:  I am a Location Manager in Chicago. I work as a freelance employee and I work with the Illinois Film Office on some projects.

OT:  Where did you go to school, and what did you study?
PM: I graduated from Loyola University and worked at Xerox right out of school selling copiers. I ended up going back to school to get a 2nd degree in television from Columbia College and from there I started working on independent films here in Chicago.

OT: What have been your favorite projects?  A little birdie told me you’ve worked on some pretty cool sets…
PM: I was fortunate enough to work on projects such as Batman Begins, The Dark Knight, Public Enemies, and most recently Transformers 3.

OT: Xerox to The Dark Knight? Awesome transition. So what was your role in producing those films?
PM: Basically, when a studio plans to do a movie in Chicago they put together a crew and the Location Department is the first on the project. They send me a script and I breakdown the locations and start scouting for them. I will give the Production Designer and Director pictures of various locations and they pick a few possibilities. For example if a scene calls for a house I will scout 10-20 houses and send them pictures. They would pick a few to see in person.  I would take them to the locations and they would decide which one to film in. From there I negotiate a legal agreement and location fee with the owner. During these negotiations I develop a relationship with the owner which will help when the preparation and filming of the location occurs.

OT: Whoa! Your job is all over the place. Any other responsibilities?
PM: Many times it will take weeks for the Art Department and Set Decorators to make a location ready for filming. When it gets close to the shoot day I am responsible for obtaining permits from the city, hiring security to watch the trucks and equipment and hiring Police to assist with the shoot.  I also have to find a place for the crew members to park and rent out a nearby space for the caterer to set up for lunch. As you can see there is a lot that goes into my job and I am usually part of a department (5 or 6 of us split up the work). There are many other things that come up that are unique to each location.

OT: What do you consider to be the best part about your job?
PM: It’s interesting to be part of the creative process and scouting the city with different directors. They all have different styles and processes. The most rewarding part of my job is to see a movie I worked on and see the different locations I found.

OT: Patrick, you have the coolest job ever. Any current projects you want to let us know about?
PM:  I am currently working on a television series called The Chicago Code.  It is shot entirely in Chicago and will begin to air on Fox in February.

Working in the film industry isn’t reserved for the Landsberg-theorists of the world. Patrick Muldoon has done a pretty awesome job making a career out of something he clearly loves to do. From helping pick out set locations, to working with the Art Departments on designing the ideal atmosphere for each scene, Patrick Muldoon has helped shape some of the highest grossing films of the past decade. Let’s just hope that he’s not left with any twisted prosthetic memories from his work on films like The Dark Knight keeping him up at night. “Why so serious?”, you ask? We have a hard enough time sleeping at night remembering Heath Ledger’s performance, let alone the repressed memories of him in a nurse’s outfit.

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One response to “My Life, The Movie: An Interview with Patrick Muldoon

  1. That rules. I can only hope that what shitty job I end up getting will magically project me into something this awesome.

    -B

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